Eric was left with a few loose ends and issues when we left him at the end of The Hawk of New York #6, and he needs to get life back under control, whether he’s finishing things up with the Bogre and the Devil Marauders or trying to build the foundation of a typical life by taking plucky reporter Yvonne on a well-deserved night at the circus as a first date. Nothing is simple for Eric’s quest as a vigilante, though, and the last remnants of the Devil Marauders want to take him down for destroying the rest of their gang. Can they succeed in turning public opinion against The Hawk of New York, or will their choices sink the Devil Marauders for good?
The following is an interview with Jenn Scuderi Crafts regarding the production, 25 Plays Per Hour, at the 2022 Hollywood Fringe Festival. In this interview, Fanbase Press Editor-in-Chief Barbra Dillon chats with Scuderi Crafts about the inspiration behind the production, the creative process of bringing the show to life, how you can purchase tickets, and more!
The following is an interview with Michael Dittman regarding the recent release of the horror novel, Who Holds the Devil, through Manta Press. In this interview, Fanbase Press Editor-in-Chief Barbra Dillon chats with Dittman about the creative process of bringing the story to life, upcoming projects in the works, and more!
The following is an interview with Thomas Barrett Blakeley regarding the production, A Dream at the End of Time, at the 2022 Hollywood Fringe Festival. In this interview, Fanbase Press Editor-in-Chief Barbra Dillon chats with Barrett Blakeley about the inspiration behind the production, the creative process of bringing the show to life, how you can purchase tickets, and more!
Throughout 2020 and 2021, Fanbase Press' weekly Creator Forums provided comics industry professionals with an opportunity to discuss ways to cope with the changing comics landscape in light of the Coronavirus. As a new year begins and the impact of COVID-19 continues, it is not lost on us that comic book conventions - and the opportunity to connect with industry colleagues personally and professionally - will not take place in the same manner for the foreseeable future. To provide further opportunities to connect with industry creators, publishers, media, retailers, and educators during our collective quarantine, Fanbase Press will be hosting its next Comics & Coffee virtual meetup on Saturday, June 25, 2022, at 10 a.m./PT (1 p.m./EST). Fanbase Press' Comics & Coffee is a FREE hour-long Zoom session taking place every Saturday, welcoming new and experienced comics pros to a virtual meetup that aims to fill the convention-less void with networking opportunities, sharing creative successes and failures, and troubleshooting ways to navigate the industry in the weeks and months to come.
Here at Fanbase Press, we strive to provide an outlet for up-and-coming creators to promote and showcase their incredible works. With thousands of creators utilizing crowdfunding platforms like Kickstarter and Indiegogo to make those works a reality, we will highlight these talented creators and their noteworthy campaigns through #CrowfundingFridays! We hope that you will join us in giving these projects a moment of your time (and possibly your support)!
The following is an interview with director and playwright John Wuchte regarding the production, Housewife ‘52, at the 2022 Hollywood Fringe Festival. In this interview, Fanbase Press Editor-in-Chief Barbra Dillon chats with Wuchte about the inspiration behind the production, the creative process of bringing the show to life, how you can purchase tickets, and more!
While issue #1 primarily explored the human society in this new world order, issue #2 delves not only into the backstory of WOL-421313, a highly efficient construction bot, but the robot society itself.
Star Trek II: The Wrath of Khan represents an iconic class of storytelling within all movie-going worlds. Star Trek is a beloved franchise and many will debate their favorite TV series or movies, but The Wrath of Khan is a film that defies time. It represents a clear message to all viewers that being in charge of others (like a parent) is not always a clear path. The decisions Captain Kirk and Spock make have an overarching goal to benefit the many, while Khan’s path is distinct in who it benefits.